Saturday, 3 September 2016

Marie C. Lufkin (1863 - 1936) - British


I had a request some time ago from Nicholas Miller, a serious amateur historian with a particular interest in following first-hand accounts of events. Nicholas is from Newcastle and he had found a poem by Marie and the information about the man it is written about - Corporal George Wilson - among some papers belonging to a nurse at the 5th Northern Base Hospital in Leicester.  Her name was Helen Freer and she was the wife of a local dignitary who lived at The Stoneygate, Leicester. She was a volunteer and fund-raiser during WW1.

Nicholas wanted further information about Marie and I was able to find out a little about her.
 
Marie Christiana Lufkin was born in Middlesex in 1864.  Her parents were George Lufkin and his wife Elizabeth Christiana Lufkin, nee Harvey.  George was an Architect Surveyor who worked for the British Government in India.  Their other children were Helen Elizabeth born 1862, Clara Harriett, born 1865, George Harvey, born 1867 and Ursula Maud, born 1868.
In 1871 the family lived in Thistle Grove, West Kensington.  Elizabeth Christiana Lufkin died in 1873.  By 1891 the Lufkin family were living at Beaconsfield, Grange Road, Sutton, Surrey and George was a widower. The family went to live in Parkstone, Dorset when George retired and Henry became a Church of England clergyman.   In 1911, Helen, Marie, Clara and Ursula were living with their father in Poole, Dorset. And Ursula Maud was a hospital trained nurse.

It seems likely that Marie may also have trained as a nurse or that she volunteered to work as an orderly for she was working at the 5th Northern Base, Leicester during the First World War.  However, there is nothing on record at the Red Cross, who kindly checked their records for me for both Marie Christiana Lufkin and Maud Ursula Lufkin. 

Marie never married and died in Devon in 1936.

Here is another of Marie C. Lufkin's poems:                                            

'IN TRUST'

'THAT we may bear His beacon lamp aloft,

Till all false ideals shrink beneath its ray,

Shorn of their tarnished glamour, stricken, mute, —

God bids us fight to-day.

 

Our sacred trust from all the ages past ;

For this, Life's heritage, the sword we wield.

E'en though our dear ones, to His bugle call,

We must the sooner yield.

 

And they, who hearing, pass to fuller life,

With clearer vision shall look forth and see

Something of that vast, wondrous plan which works

For all eternity.

From :  Volume 2 of  "One Hundred of the Best Poems on the European War" Edited by Dr. Charles Forshaw, FRSL,  Founder of the International Institute of British Poetry, published by Elliott Stock in 1916.


Photo:  Poem by Marie C. Lufkin typed on a piece of paper, courtesy of Nicholas Miller.
 
If anyone has any information about Marie or Corporal Wilson, please get in touch.  I should also like to find a photograph of Marie. 

Wednesday, 27 July 2016

Nora Bomford (1894 - 1968) - British poet

Nora was born in India on 24th March 1894.  Her father, Sir Gerald Bomford, was a Surgeon General in the British Army and her mother was Mary Bomford, nee Eteson.   Nora’s siblings were Hugh, born in 1883, Lorna, born in 1884 and Guy born in 1900.   When in England, the family lived in Dover.

During the First World War, Nora did social work among the poor in north London and Lorna worked in the Food Rationing Service.   On 8th June 1938, Nora married her cousin Major-General Claude le Golchey, MC in Holburn, London.  The couple had no children.

During the Second World War, she looked after her nephew while her brother Guy was in India.  Nora died on 12th May 1968.     Her WW1 poetry collection “Poems of a Pantheist” was published by Chatto & Windus in 1918 and was dedicated to “P.Q.R.”.    

Photo:  Nora in Cairo in 1939, reproduced with kind permission from www.bomford.net

A relative of Nora with whom I have been in contact, sent me this about Nora's collection which received mixed reviews:


"According to Nora's inscription in the front of my copy, a review in “The Nation” was 'the best of 15 reviews'. There was a photo in the “Daily Mirror”, and a 'scathing account' in “The New Witness”. The photo from the “Daily Mirror” (I assume) is pasted into the book (copy attached), but I haven't found any of the reviews."
 

Sources:  http://www.bomford.net/IrishBomfords/Chapters/Chapter26/Chapter26.htm#26.7.3__Nora_Bomford__1894_-1968_


Catherine W. Reilly “English Poetry of the First World War A Bibliography” (St. Martin’s Press, New York, 1978) and “Poems of a Pantheist” by Nora Bomford

E-mails from Richard Bomford

And with grateful thanks to Dr. Margaret Stetz who is the Mae and Robert Carter Professor of Women’s Studies at the University of Delaware in America for her continued support and encouragement of this commemorative exhibition project. Without her help I would not be able to do as much.

I stopped what I was doing the other day to answer an SOS e-mail from Suzy Glass.  There is to be an event at the Edinburgh Art Festival on Sunday, 31st July 2016 at which one of Nora Bomford’s poems will be read and they needed information about Nora.  Here is information about the event – tickets are limited so if you are interested don’t delay:



Thursday, 21 July 2016

Marie Nizet (1859 – 1922) – Belgian Poet

In honour of Belgium's National Day - 21st July - here is a Belgian Poet

Marie Nizet was born in Brussels on 19th January 1859.  She was the daughter of Belgian writer and poet Francois-Joseph Nizet, who worked at the Royal Library in Brussels.

Marie studied in Paris and while there met several Rumanian people which probably inspired her interest in Rumanian mythology.  At the age of 19, Maris published a book entitled “Captain Vampire” – seventeen years before Bram Stoker published his book.

Marie married, divorced and brought up her son alone.  She died in Etterbeek, Belgium in 1922.

Here is the first line of Marie’s Poem “Fins Derniers” (Tr. Final Endings or perhaps Loose Ends?)
 

C’est fȇte aujourd’hui, mon amour,

Je viens frapper à votre porte.

Notre Bonheur est de retour :

Vous ȇtes mort et je suis morte.

 

From “Fins Derniers” first published in “Pour Axel de Missie”, Editions De La Vie Intellectuelle, Brussels, 1923.

Here is my translation of those lines: 

Today, my love, is a holiday,

I’m knocking on your door to say

Our happiness blooms again

But I am dead and you are slain.

With thanks to Peter Parsley for his help in finding the photograph of Marie.

Tuesday, 19 July 2016

If women poets were included in a Poets' Corner who would you choose?

Why are no women poets of WW1 mentioned on Poets' Corner in Westminster Abbey?   I supposed the old chestnut is because ‘they didn’t fight’ so were therefore not qualified to write about the first truly global conflict that rocked the planet.

 
However, contrary to popular belief, women did go to the war zones and many of them died or were killed serving the cause.  I think it is high time we had a women’s WW1 poetry section at Poets’ Corner.    Who would you suggest?  This is my list:
 

Rosaleen Graves – British - trained as a nurse during WW1, nursed in Britain and France, studied to become a doctor

Mary Borden – American poet and nurse

Elizaveta Polonskaya – Russian poet and doctor

May Sinclair – accompanied Dr Hector Munro’s Flying Ambulance Unit in 1914

Cicely Hamilton – British actress, writer and poet - Scottish Women’s Hospital administrator Royaumont Abbey

Vera Brittain – British poet/ writer – VAD England, France, Malta

Winifred Holtby – British poet/writer – VAD and ambulance driver France

May Wedderburn Cannan – worked in The Coffee Shop on Rouen Station

Edith Bagnold – British poet. Nurse then driver in France

Agatha Christie – British poet and writer. VAD

Millicent Sutherland – British poet - funded hospital in France

Edith Wharton – American poet – nursed in Paris

Ella Wheeler Wilcox – American poet who travelled the Atlantic to entertain the American troops on the Western Front

Henriette Hardenberg – German poet and nurse

Emine Semiye Onasy – Turkish writer and nurse

Alberta Vickridge – British poet – VAD

Joan Thompson – travelled to France with the Red Cross

Saturday, 16 July 2016

More Female Poets of the First World War

Looking through Vivien Newman’s book “Tumult & Tears The Story of the Great War through the eyes and lives of its women poets” (see review on this weblog 5th July 2016), I have noticed quite a few names that are new to me.

When I have time, I hope to research these WW1 poets, find examples of their poems and add them to my list:

Esther BIGNOLD

Mary BOYLE

Kathleen BRAIMBRIDGE

Beatrice CHASE

Florence van CLEEVE

Vivien FORD (1890 –

K.M.E. GOTLEE

Joan GRIGSBY

Mrs Hamilton FELLOWS

Ada Leonora HARRIS

Pamela HINKSON (Irish)

Paula HUDD

Mabel JEFFREY

E.M. MURRAY – WAAC

Emily PARKER

Margaret TYRELL-GREEN

Viviane VERNE

Jessie WAKEFIELD

Saturday, 9 July 2016

Constance Sandifere (1870 - 1949) - British

THE COMING DAWN.
DEDICATED TO
THE CAMBRIDGESHIRE REGIMENT.
We are waiting, surely waiting,
For that glorious day to come
When our boys receive the orders
"Shoulder rifles, march for Home!”
Gone for aye the hours of anguish,
Gone for aye those nights of pain,
Father, brother, son, or lover,
Safe in England once again!
Chorus.
Lift your heads then! Tune your voices!
Make the hills and dales to ring!
Can't you hear the tramp of thousands
As they chant the victor's hymn?
There are lads in khaki dying
Who have nobly played Their part,
There are eyes with tears a' falling
On the grave of some brave heart ;
There are records bright and glorious,
Writ in words of flaming fire,
Which, throughout the endless ages,
Often heard shall never tire.
CONSTANCE SANDIFERE.
Ely, Feb. 16th, 1917

I am very grateful to researcher and local historian Philip Dawes for the following information about Constance:

Constance Ellen Sandifer 1870 – 1949, was born and died in Eastbourne.  Her connection with Cambridge as per the above war poem came from her father James Frederick Sandifer and uncle Robert E. who were born in Cambridge, Holy Trinity parish.  Their father died when they were young and their mother Maria was a ‘Dressmaker/Pauper’ in 1851.  At some stage in the 1860’s the two young men moved to Eastbourne, started Grocery shops and married local girls.  They appear to have made good livings as each family had servants and shop assistants living in.  They had a lot of children between them and their unfortunate wives died young.  

Constance Ellen’s birth is listed as March quarter, 1870, Eastbourne.

We can find her aged 1 on the 1871 census with mother Eliza (nee Parks) and father James and an older sister aged 2, Ethel Maud. 

In 1881 her father is a widower but a lot more children have been born before Eliza died in 1878 – seven of them under 10 years old.  Constance is listed as ‘Nelly. C. Sandifer’. They are not poor: as they have 4 live-in servants and two shop assistants lodging. James’s mother Maria has moved from Cambridge to help: widow aged 70. 

By 1891 both parents are dead, as is old Maria.  Eliza’s mother Mary Parks has moved in - aged 73, basket maker, even though the 6 children still at home are by now mainly adults.  Ethel, 22 Constance 21, William 18, Clifford 17, Robert 16 and Hilda 14 are all at home.  They are probably somewhat poorer but still have one servant living in and two military men as boarders.  The girls don’t have jobs outside the home. 

I can’t find Constance in 1901 when she would have been 31. Eventually I found her on the 1911 census. She is in Clacton on Sea and is a milliner living-in with a draper’s family along with 6 other shop assistants. She is listed by the enumerator – or the draper – as Constance Ellen Sandifere.

As you know she appears in Eastbourne on the 1939 census as a milliner /retired. She is still single. 

Constance must have had music lessons as a girl and she was active in the early 1900’s writing songs and piano music, about half a dozen of which are still listed. 
We also get a glimpse of her on 21 Dec. 1907 when she sent a wreath for the funeral of the David Perry, Superintendent of the Eastbourne Fire Service. 

Her optimistic war poem/ song of Feb. 1917 was about the Cambridgeshire Regiment and their possible homecoming. It was published in the Wisbech Standard. She may have still had relatives in the area. There are no other newspaper mentions ofConstance as far as I can tell – nor are any other poems/ songs published.  I will keep looking. I you want the census results I can send them.

Constance seems to be rather elusive in the records.  Part of this is due to her ‘name changes’.  She appears as Constance and as Nelly (version of Ellen her other name).  Another problem is that either her publisher, the newspapers or she herself added an ‘e’ to the end of her name at some stage.

Information kindly supplied by Phil Dawes, researcher and local historian. If anyone has a photograph of Constance please get in touch.

Tuesday, 5 July 2016

Book Review: "Tumult & Tears - The Story of the Great War through the Eyes and Lives of its Women Poets" by Dr Vivien Newman


I really wish this wonderful book had been available when I began my commemorative exhibition project by researching Female Poets of the First World War in May 2012. 

From the dedication, abbreviations contained in the book and introduction about women’s war poetry, right through to the comprehensive index at the back, this book is a treasure trove of information both relating to the poems included and the background history of the conflict.

As Dr. Newman points out on page xi of the Introduction, the First World War has a legacy of poetry that is remarkable in its sheer volume and I believe there is still a large amount to be discovered.   You will find some 92 poets included in the book – some of them will be familiar names but quite a few will quite probably be new to most readers. 

Chapter I, entitled “When ‘Pierrot Goes Forward, What of Pierrette?’, sets the scene with poems written in the early days of the war by women who saw their men-folk march away.  I was particularly interested in Katharine Tynan’s “Joining the Colours” (dedicated to the West Kents, Dublin, August 1914) on page 2 because my Great Uncle joined the West Kent Regiment.   This Chapter also includes poems about knitting – “Time will win – knit a twin” by Mrs Mary K. Gibbons on page 14 being particularly poignant, for I remember my Grandmother, an avid knitter, always knitted two socks at once.  No doubt Grandmother began that practice in WW1 when Mother was four and uncle a year old and Grandfather, a professional soldier (Old Contemptible) with the Royal Field Artillery, went away for the duration of the war.

Chapter 2 deals with religion in women’s poetry, Chapter 3 nature in women’s war poetry, Chapter 4 poetry written by women who served in some capacity.  I found Chapter 5, dealing with grief in women’s war poetry, touched a chord with me because of the poem by Mary E. Boyle about the death of her brother.  Newman says “Boyle’s belief that her brother’s death has destroyed a part of her is far from unique” which is a sentiment born out by my own Mother whose younger brother, one of two siblings born when Grandfather returned from WW1, was killed in a tank battle in Libya during the Second World War.

There is a comprehensive summing up in Conclusion on page 151 and then come the Appendices – Appendix 1 contains biographies of the poets included and I do so love to know a bit about the poets – a legacy from my English Literature teacher at school.  Appendix 2 is particularly interesting I feel because Dr Newman talks about the publishers, many of whom are very familiar names to those who enjoy the poetry of WW1.

In Appendix 3, Dr. Newman writes about the amazing Birmingham War Poetry Collection, and then comes the all-encompassing Index.

A most enjoyable read and definitely a book to recommend to any poetry lover.

Book Review:  “Tumult & Tears  - The Story of the Great War through the eyes and lives of its Women Poets” by Dr. Vivien Newman, published by Pen & Sword, Barnsley, South Yorkshire, in 2016 with the ISBN No. 9781783831470